Archive for the ‘Albums’ Category

Einem Meisterwerk

June 15, 2018

Deep-Purple-In-Rock-German-sales

Just to let people know that there will be a German edition of the Deep Purple book Wait For The Ricochet later this year. Published by Hannibal, it will look very similar to the original, with the same illustrations and format.  If anyone is interested, the title can be pre-ordered already from the publisher’s own site.  Hard to believe but the album is 48 years old this very month, and was of course a massive seller in Germany where it topped their album charts for weeks. If you do not have this book yet, the English edition is back in stock through the publisher’s own shop.  And their follow-up devoted to Machine Head and titled Fire In The Sky is now not far away.

The publishers would like to thank Lutz and Andreas for their help in making this German edition possible.

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Drawing skills

June 8, 2018

Never Before sing a long lyrics from German magazine Bravo, 1972

The researchers for the upcoming Machine Head book have put a call out for a couple of items in case anyone in DTBland can help…

[1] Has anyone got a good clean scan of the album review from America’s Creem magazine in 1972? It most likely appeared in the May or June issue but might have slipped to Oct or Nov (they have checked other issues).

[2] In a similar search they are trying to source a good clean scan of the single review from the Australian music magazine Go-Set, printed in the Oct 6th 1973 issue. A contact there has kindly sent all the issues from microfilm but this page is too faded to use.

[3] Lastly (for now!) but perhaps most crucial has anyone got sufficient CAD skills to convert Simon’s rough sketch plan (and measurements – imperial!) of the Grand Hotel corridor studio circa 1971 into a presentable diagram? This can be a plan view or perhaps a 3D view like you sometimes see on those TV house alteration programmes. This is a for the love of it task but you would get a nice fat credit in the book.  Simon: “I am afraid I gave away my drawing board many years ago, my Rotring pens are all seized up, and attempts to do this in the Adobe software I use have been awful!”

Москва́

June 4, 2018

The setlist from Moscow last week gives an idea of the current set of dates: Highway star, Bloodsucker, Pictures of Home, Strange Kind of Woman, Sometimes I Feel Like Screaming, Uncommon Man, Lazy, Time for Bedlam, Birds of Prey, Knocking At Your Backdoor, Perfect Strangers, Space Truckin’, Smoke on The Water – Hush, Black Night
Time For Bedlam was dropped at the festival they did in Mexico, probably for time reasons, but otherwise this seems to be the show for the time being. So the new album content has dropped quite a lot, it looks like we caught them at the right time on the UK tour last year! Thanks to Mike Richards and Bo Olsson for the updates. All the upcoming dates are on our diary page.

And so Deep Purple begins

May 15, 2018

Pye_Studios

What did you do at the weekend just gone? Me I walked round to the shops for some bread rolls and a Saturday paper, did a bit of weeding in the garden and gave a talk on pre-War commercial street photography.

atv_house

What did Derek Lawrence do with his weekend just gone fifty years ago? Only produced (with the help of a BBC Sound Effects LP!) the first Deep Purple album Shades Of Deep Purple. Happy 50th Deep Purple!

Yes we know they did some shows before, and a few demos, but to me that trip to the Pye basement studios (at ATV house) near Marble Arch meant it all suddenly got real. How could they cut an album so quickly? Well they’d rehearsed and done most of the material either live or in previous groups, so it was all fairly well bedded in. Plus they were damn good musicians. And they had no more budget!

Derek did a bit more work on the Monday, cut and mastered the first (proposed) single later in the week, EMI got on board, and the rest is, well history. History which continues to prove fascinating for many, and music which has given millions pleasure over those fifty years.

The studio? Pye were there until 1989 in one guise or another, but the Sixties building where so many other great recordings were also made was demolished in 2003.

pyestudios

Swiss time

April 18, 2018

Deep Purple return to play the Montreux Jazz Festival again this year, and appear on July 4th. They are headlining the Stravinski Auditorium (with support band). They last played here in 2016. My thanks to Lutz, Tom, Bo, Denis and everyone who sent me the update this week! Below, nice snap of fans waiting for an earlier show there, by Tiny Rager. One of those barriers would look good across the drive…

 

Ticket prices rise

April 6, 2018

Red vinyl Concerto LP.jpgI try not to look at auctions sites too often, but occasionally items are flagged up which fit with our archive remit, negatives and memorabilia (I got a nice letter signed by IG recently, sent out to publicise the launch of his studio in 1973, as it helps fill in a gap in his immediate post-Purple history.).  However even I was astonished to see an original ticket for one of the 1972 Made In Japan concerts sell for $2,000 recently. I think someone bought it early to close the auction too, so they must have been keen!
This comes not long after the sale of a Norwegian issue of Hush / One More Rainy Day in a picture sleeve which fetched £1753 according to our friend George Costantini who follows these things closely. This is a real rarity even though the sleeve has the same front design as elsewhere, as so few were pressed.
A recent issue of Record Collector rounded up some of the other top prices which include a rare acetate of One More Rainy Day / Hush which fetched £652.
Mint or clean copies of Deep Purple first pressings continue to attract a lot of interest as well, arguably these are the closest to the artist’s vision for the record as they would have approved these. A first press Book of Taliesyn went for a shade under £500 and a stereo first press Shades fetched £361. One item which was on many collector’s lists does seem to have come down in price, that’s the Japan red vinyl issue of The Concerto, which sold for £218. My thanks to Tom Dixon for his help.

 

More from your local newsagent

February 2, 2018

Anyone still short of that Planet Rock magazine Deep Purple special we mentioned a couple of weeks back, the Waitrose supermarket chain in the UK have just put it in the shelves as a promotion this week so we could pick a copy up at last. Quite a good read all in all, and a few nice pics.

Hopefully easier to find than Planet Rock, the new issue of Record Collector out this week has a big article entitled The Untold Story of Made In Japan, although those who have read it suggest The Retold Story might be more appropriate. However quite a few nice photos, some in colour, so worth checking out even if the regulation Mk 2 group photo is looking a bit over-used.  I can’t resist a decent Debbie Harry photo, so that will probably swing it for me! Thanks to Stephen Clare and others for the heads up.  

Best heading though which turned up this week while I was trying to find out when Roger Glover first brought his Rickenbaker back on stage during the reunion (he can’t remember, if you can confirm do tell! We think it was 1993):

Roger Glover Explained – everything.explained.today
everything.explained.today/Roger_Glover
What is Roger Glover?

Tour dates updated

December 6, 2017

Deep Purple’s 2018 schedule continues to grow, so we’ve fully updated the tour diary. It looks as if they’ll be in Europe for much of July, with gigs in Italy, France, Germany, Poland and Czech Republic now announced, plus the previously listed shows in Russia and Ukraine and a festival in Mexico. Big thanks to Lutz Reinert for the extra info.

Here is an announcement

November 24, 2017

I do like this sort of ad hoc stuff which brightens all our lives; no idea who did it (twitter and instagram? No thanks, Facebook is bad enough!) but Danny Fox enjoyed it too and sent us the snap; last night before the O2 Deep Purple show.

Deep Purple tube sign

Surprising

November 19, 2017

Roger Glover, Manchester Arena, November 2017. Photo Vince Chong

Some early DTB jottings on the shows so far [warning – UK set list spoiler at the end.]
Well Manchester for us certainly served to make the fast fading BBC show [incidentally the red button version has now been re-edited to around 15 minutes with an Ian Gillan interview between songs… but better audio] seem even more subdued and muted, and it was a treat to properly experience the group again. Those people who were able to resist watching the TV slot so as not to spoil the actual shows probably made the right call. Every tour we worry it’ll disappoint, but so far they’ve managed to largely over-ride those concerns. There is no doubt Paice’s illness brought the group down for a time and, back on European soil after the disappointment of the later US shows, with a revamped set, they do seem to have bounced back, and as Ian Gillan reportedly said at the first show in Birmingham (that’s IN Birmingham, for all the lost souls who ended up at the Little Mix show by mistake) they’re hoping to eek this Farewell Tour out a little longer.
And on the form they showed at Manchester it would be hard to begrudge them. The opening triple blast is designed to set the scene and by the fourth number in they were really beginning to motor. Curiously it was the double reunion blast of Perfect Strangers and Knocking At Your Back Door which really seemed to hit the nail for me; expected highlight Birds Of prey appeared to falter a touch, though the hard core suggest it was more epic at Birmingham.
In short we thoroughly enjoyed the show even from our eerie up in the gods, and from what people say it was even more in your face on the arena floor. And while it wasn’t a total sell out, it was pretty packed – this mob would have filled the old Ardwick Apollo twice over. So while I used to merrily moan about them not doing the smaller venues, these days we all need a bit more give and take. And the show was also clear proof that doing new tracks isn’t necessarily the kiss of death here; most of the audience knew what was what and just confirms that there is life after 1972 (and it doesn’t have to be Contact Lost!).

Deep Purple

My only real disappointment was the band could not find a moment to thank the staff; after Birds of Prey perhaps? I’m no fan of arenas and avoid them as much as possible, often skipping bands rather than use them. But it takes organisation to run a place like this smoothly, and as we wandered around outside and inside before the show, we couldn’t help think many of the staff here would have been on duty back in May and have to cope with that memory every time they go to work. We had a number of issues finding the right entrance to collect our tickets, and at the security where our friend Vince, who’d just flow in from Canada, kept setting off the alarm, which we eventually realised was steel in his yomping boots! Every member of staff we approached was polite and helpful. Credit where it’s due.
And another star docked for not doing Hip Boots. It’s a bee. And it’s in my bonnet. I’ll just have to crank up the album again, and isn’t that the best response to a show?
Hello to everyone who said hello and good to catch up with so many people (and a big thanks for the photos from Manchester supplied by Vince Chong.) Special thanks to Roger Glover who gave up two hours of his afternoon to be pushed hard on Machine Head (John Humphrey style) for the upcoming book; some things we couldn’t get to the bottom of, other stories emerged which more than made up!
Simon Robinson

Steve Morse 5527

Excellent show (at Birmingham), though they did footle about a bit too much during the encore. Gillan sounded fine when pushed through a massive PA – he gets by on studio recordings, and live in the flesh. Live recordings with him sound… not so good (BBC In concert the night before).
It was all a bit of an adventure for us, we booked hotels at the NEC, and had a look around the complex during the afternoon of the show. Not many Purple fans in evidence though, oddly, quite a few girls with glittery make-up and pink hair extensions. And crowds of people in costume arriving for Comic Con the next day (middle-aged Wonder Woman is not a sight I’ll easily forget…)
At around 5.30 I wandered into the Genting Arena box-office to ask about timings for the evening. A very helpful girl said: “Little Mix will be on stage at 8.30.” Can’t remember my exact reply, after a shocked silence it was something stupid like “Oh… what about Deep Purple?”
Turns out they were at Birmingham Arena, 45 minutes away, somewhere in the city centre. I’d never heard of the venue before. The Arena is NOT well signposted, even when you’re standing outside it on the steps. Apparently it was the Barclaycard Arena until recently, until some clever tit decided it would be less confusing to call it “Arena Birmingham.”
Dave Browne

If it’s any consolation David, we would have done just the same (gone to the NEC Arena that is, not ogled aged female superhero lookalikes!) Seriously, we just go round Birmingham these days, the signage and over complex road system is so inept it’s not worth arguing with them any more.

Ian Gillan, Manchester Arena, November 2017. Photo Vince Chong

Set my expectations (at Manchester) sensibly beforehand (caught a bit of the red button show on TV that morning, so that helped set the dial).
But what a surprise! I thought they were pretty good all-in-all, rather enjoyed it from our vantage point and, much to my surprise, really good sound.
Both me and Mrs. Judd thought the new stuff sounded pretty good live and a big thumbs up to the band for sticking so much into this show from the last two CDs. IG came across more animated and sounding a bit better (to my old ears) than on the beeb, with plenty of between-songs ramblings.
I thought Steve M. took a little while to properly warm up but was playing well later in the set. Where does Rog. get his stamina from? He had to be the most energetic of the lot of them with two or three bass solo type spots, and it is hard to believe Ian P. ever had his health scare of a wee while back, yes his playing isn’t quite as exuberant as yesteryear (and no solo spot), but very sharp.
Don is still all blizzard of notes at the keys (do wish he’d try a bit of less-is-more sometimes) but I thought the organ tone he used was a tad better than at times in the past (not so overly bright but maybe that was just the feed we were getting stage-left).
The massive stage-wide screen behind the band and two side screens where used pretty well (unlike the beeb who seemed to be pointing cameras at the wrong band member quite a lot, here you could see the important detail up there, if you wanted to).
Always enjoy a bit of keyboard/guitar lick trading, we had to wait until Hush for that but still quite fun.
So if that’s my lot for live DP (who knows when/if they’ll be around this neck of the woods again) then, for me, that wasn’t a bad gig to end with. My post-gig smile even survived the seemingly endless wait to get out of the car park.
Peter Judd

Travel tip; never use the M/c Arena car park for a gig. We put ours in the Lowry car park five mins walk away; a tenner for the whole day; security so tight, cars so posh nobody would give our crate a second glance, and no queues out!

Time for Bedlam / Fireball / Bloodsucker / All I Got Is You / Uncommon Man / The Surprising / Lazy / Birds of Prey / Knocking at Your Back Door / Keyboard Solo / Perfect Strangers / Space Truckin’ / Smoke on the Water – Hush / Black Night

Ian Paice, Manchester Arena, November 2017. Photo Vince Chong