Archive for the ‘Machine Head’ Category

Unveiling

July 9, 2018

Montreux 4th July 2018 – Plaque Unveiling Ceremony at the Former Grand Hotel.

 

Ian Gillan by the plaque

Tim Summers has managed to pen us a few words about the event itself, for more see the two posts below…

With the proceedings due to kick off at 11 am, we hopped off the train at Territet with about 25 minutes to go and strolled across the street to the building itself. We struggled to recognise it at first due to it being covered in scaffolding; one reason for having the plaque located round at the unobstructed rear entrance – actually this made sense as this was where the mobile studio was parked – and it meant that we could hear the speeches (and not get run over!) shielded from the relatively busy road to the front.
As we arrived tables of food and drinks were being set up opposite the rear entrance, and a copy of Machine Head stood on a podium to the side, with a picture of the mobile studio parked there some 40-odd years previously on the wall at the other side. The good folk of Montreux made us feel very welcome, and we chatted with just the occasional craning of the neck to peer down the road to see if there was any sign of any Purple people arriving. Roger had promised to attend together with “whoever else he could drag along”. As 11 am approached, a sleek looking people carrier was sighted at the bottom of the slope; it drove up to the car park barrier and the doors opened – Roger was first out, followed by Ian Gillan and Paicey. They ambled up the road in the style of a royal walkabout, stopping to shake hands and chat with people in the assembled throng (of probably around 100 people).
Once at the top they went inside the foyer (which was open) and we followed them in – it was kind of awe-inspiring to be in such an historically significant building. They were happy to chat, pose for photos and sign anything thrust in front of them, and after a little while we ventured back out into the sunshine for the unveiling. There were speeches, including one from Paicey, who said that this was the first time he’d been back to the building since he finished work on the Machine Head album. He actually explained in terms I could understand the necessity of all that climbing out of windows/across balconies business too.
The plaque is a nice thing – not the sort of blue metal affair I was imagining, but rather a laser-etched glass creation, with a (surprisingly effective) button to back-illuminate it on command. As well as including a contemporary picture of the band from the time of recording the album, the plaque details the significance of the album and building too. I spoke to its Italian creator, and he said that he wanted to make something special for a band as important as Deep Purple.
Montreux itself is quite an amazing place, and it really comes alive for the annual music festival. Later in the day Roger did a sort of Q&A about the significance of it all, the fire and the recording of the album, and we spotted him again later just walking down the street (probably returning from the soundcheck for that night’s gig). Paicey summed up the sort of intertwined nature of the band and place in his closing remarks about the recording of Machine Head here: “Looking back on our career, probably one of the the most important 3 weeks of our lives”. –Tim Summers (thanks to Keith Sharp and Ian Edwards for the photographs).

Below, Keith’s picture of the plaque in situ. The text is a bit clunky but you should have seen it before we re-wrote it! It was supposed to have the album title and name off the sleeve too, not sure where those went…  But a very swish item which does the band proud.

Montreux Plaque 2018

Advertisements

Montreux ceremony

July 6, 2018

Couple of photographs from the July 4th Montreux event, kindly sent by Claude’s friend Jean Paul. Jean worked with Claude during the Machine Head sessions, and is on the right in the photo with Roger.

Glover at Montreux JPM

The photo below is from outside the former hotel foyer, and shows Gillan and Glover busy signing sleeves. Yvon Welt on the right of this photo has been instrumental in helping get the plaque put up, which you can see on the wall behind Ian. From today anyone visiting can at least be sure they are at the right building and the ceremony got lots of coverage in the Swiss press and further afield.  More information to follow!

Gillan and Paice outside foyer JPM

Drawing skills

June 8, 2018

Never Before sing a long lyrics from German magazine Bravo, 1972

The researchers for the upcoming Machine Head book have put a call out for a couple of items in case anyone in DTBland can help…

[1] Has anyone got a good clean scan of the album review from America’s Creem magazine in 1972? It most likely appeared in the May or June issue but might have slipped to Oct or Nov (they have checked other issues).

[2] In a similar search they are trying to source a good clean scan of the single review from the Australian music magazine Go-Set, printed in the Oct 6th 1973 issue. A contact there has kindly sent all the issues from microfilm but this page is too faded to use.

[3] Lastly (for now!) but perhaps most crucial has anyone got sufficient CAD skills to convert Simon’s rough sketch plan (and measurements – imperial!) of the Grand Hotel corridor studio circa 1971 into a presentable diagram? This can be a plan view or perhaps a 3D view like you sometimes see on those TV house alteration programmes. This is a for the love of it task but you would get a nice fat credit in the book.  Simon: “I am afraid I gave away my drawing board many years ago, my Rotring pens are all seized up, and attempts to do this in the Adobe software I use have been awful!”

Swiss time

April 18, 2018

Deep Purple return to play the Montreux Jazz Festival again this year, and appear on July 4th. They are headlining the Stravinski Auditorium (with support band). They last played here in 2016. My thanks to Lutz, Tom, Bo, Denis and everyone who sent me the update this week! Below, nice snap of fans waiting for an earlier show there, by Tiny Rager. One of those barriers would look good across the drive…

 

C’mon, let’s go…

August 3, 2017

If Galaxy Quest is one of your rainy Sunday film treats, you may enjoy the trailer/s for a new 2017 US Sci-fi parody series called The Orville.  You may even recognise one of the Machine Head classics used as the music for the first one!  Thanks to Karl-Heinz Baier for the heads up. Will certainly be waiting for a DVD release (unless of course BBC2 could find a gap in between perpetual repeats of Dad’s Army to squeeze it in?).

office cock up 45 years ago?

February 13, 2017

I know it’s Monday morning, but can we try and solve a conundrum?  Put simply, has anyone out there got a genuine U.S. Warner Brothers white label promotional copy of Machine Head?  Working on the discography for the upcoming book on the album and talking to collectors like Pericle in Italy, nobody seems to have seen one.  We know W.Bros did white labels for all the other Deep Purple albums in the Seventies up to Burn (for the last two they used regular Burbank Tree labels and overprinted the promo text.). These have a white label with the regular text details in black and the wording “Promotional use Only”.

MHead-US-promo-sticker.jpg

Often the front sleeve also has a large rectangular sticker across with the track information and times (to make life easier for DJs). So unless someone has a copy like this for Machine Head, then it does raise the possibility that somebody just forgot to order up a run in time, which is what Pericle, who has been on the lookout for a copy for ages, thinks might explain the mystery. As he says, the only U.S. promo copies of Machine Head which turn up are the regular U.S. green label pressing but with a largish pink and black circular promo sticker on the back sleeve.  We do run a risk that by mentioning it here, if a few copies do exist they will suddenly climb in value, but Pericle reckons it’s a risk worth taking to get to the bottom of the mystery!

Below is a white label Warners did for Concerto when they took the release over. The Machine Head one would be similar. And possibly ever rarer!

Concerto white label.jpg

The sites

July 22, 2016

Smoke On The Water

Back in Blighty, and time for the final report on the Montreux trip.
As we mentioned, one of the reasons for the visit was for myself and Stephen to try and nail locations associated with the Machine Head sessions.  We were fortunate in this to have the help of Jean Paul, who worked with Claude Nobs for over a decade, and was a good friend ever since they met at scouts as teenagers.
JP, as everyone knows him, performed any number of duties, and shared an office with Claude from the late 60s and was there during Deep Purple’s stay in late 1971. As such he helped book hotels, and was instrumental in the hunt for alternate recording sites after the Casino fire (having been one of the crew who helped shove the Stones Mobile to relative safety earlier). And if you know the Didi Zill shot of Roger getting his teeth into a tasty looking burger during the recording, then JP (who was a Michelin starred chef) cooked those as well!
We met with any number of interesting people and numerous current residents, even the owner of the building, and got lots of detail about their stay in in 1971.
It is clear that there is a lot of goodwill from all concerned to make sure the building is suitably signed in future, as well as making some kind of trail for the sites associated with the album sessions (and a map for visitors to download).  After I had given everyone a quick history lesson (they sprang this on me just 48 hours in advance), Roger Glover told his side of the story to the assembled guests, before the chap who handles the area’s residents association then explained how he saw this going ahead. It is tricky because they do not want to disturb the privacy of the residents, but they would like to have the history better known. There is a plan for a large plaque or interpretive panel of some sort, but getting permission is complex as it is a listed building.  This visit had to be kept private, but if all goes well it might be possible to arrange future official pre-booked visits open to all.
Originally both Ian Gillan and Ian Paice had wanted to come as well. IP as you might imagine is being very carefully looked after, his wife Jackie travelling with him, and on the day they decided he needed the extra rest after the show the night before. Don Airey did come along though (and was as much taken by JP’s beautiful vintage MG outside the foyer as anything else!).
After the formalities, everyone had a chance to explore the corridor and the Doctor who lives in the far end (which is partitioned off now and forms part of his study) kindly opened his flat so Roger and everyone could work out where the band were all set up.
After an hour or so, when people had begun to leave, we were able to tour the rest of the building (which is listed) and then spend a couple of hours in the company of Yvon, one of the apartment residents who had helped organise the visit, and interviewing JP informally to get his take on the events and answers to many of our questions.  I’ve done a few rock interviews in my time, but sat on benches under the trees on the Lake Geneva shoreline (!) beats them all.
We then spent some time trying to take photographs to match up with those from the time. The above photograph shows the corridor as it is now for example. It was always hard to grasp the size of the blaze, but the photo below gives us an idea; the red awning on the left is the current Casino.  When it went up, the flames at one stage reached to the top of the apartment block on the right, and it was feared it too might catch fire.

casino, Montreux, 2016

We did have one reporter and photographer attend, and some of their material has already appeared in the local press.  There is also a report online in the Geneva Tribune (in French), with more professional photographs (the link to Smoke live is not from this year’s show.)
One reason for all this was to push me on to wrap up work on the upcoming Machine Head book, and if you want to keep in touch on this then it would be wise to scoot over to the publisher’s website and sign up for the newsletter if you have not already done so.  They are hoping to get the book out before Christmas.
In the meantime a big thanks to Stephen Clare who made some of the initial contacts for us; to everyone in Montreux who helped get this together, and Roger Glover for agreeing to take part. It was nice also to meet up with Mike Wiklund again (for the first time since Jon’s memorable farewell show in Ipswich), he was in Montreux for his 99th Deep Purple concert!, and photographer Sue Burton, who like us had decided just to make the trip as it was something she felt she ought to try and do at least once as a Deep Purple fan.

Lastly, I like quirks of fate.  While the Casino burnt out and was demolished, apparently some of the fire crew did pull fixtures and fittings out.  Some of the chairs survived.  And are still being used today!  I was quite sceptical, fearing we were being wound up by our hosts, but underneath it still has the Casino address property label…  though quite why anyone would want to risk their lives for something like this is beyond me.

smoke on the water

Nouvelle Review

December 4, 2015

Deep Purple Montreux fire Smoke On The Water

There is something fascinating about old newspaper archives and seeing how people got the news about important events. One of the avenues of research for the upcoming Machine Head book has been to see how they covered to story in the country, and this front page is from the Nouvelle Review. As this did not have a Sunday edition, the story is from the Monday after the fire (which happened 44 years ago today) and clearly it is still big news.  But not too big to squeeze some of the weekend sports stories off the front page! (And a reminder too of issues closer to home, with a brief report of an explosion in a Belfast restaurant as events there began to worsen.)  Coverage of the fire and the aftermath continued across page two and as late as May the following year the debate was still going on, and journalists were trying to get to the truth behind many of the rumours about the causes of the fire.  Read more about the book on the publisher’s sitehe

Up in Smoke

September 23, 2015

claude nobs during montreux casino fire

Work on the Machine Head book is proceeding, with Stephen corresponding with Jean Paul, who was at the Casino event the night the place went up.  And he clearly wasn’t afraid to get stuck in either.  This amazing photo we’ve seen before on this site, but we now know that is Jean himself on the right with Claude Nobs desperately trying to get one of the hoses round to tackle part of the blaze.  Jean was one of Claude’s best friends, and has been able to help us fill in some of his early career and  explain how the whole Montreux Super Pop and Jazz festival events came about.
During work on the book we’ve also found pictures of the blaze inside the casino roof which kicked the whole saga off (though you do wonder who would stop inside the hall to take such a picture…!), and a bewildered security guy on the stage with a megaphone trying to get people to take it seriously and leave.  The more I see of the event the more I’m amazed everyone got out safely.  Claude by the way reckoned the band only finished Smoke off for him as a thank-you tape given at a party before they left, and hadn’t intended it for the album….  We’re still trying to get the chronology sorted as photographer Didi Zill now thinks he snapped Ian writing the lyrics only a couple of days after the fire. As ever any info on the scene or events welcome!

Smoke On The Radio

June 15, 2015

Smoke On The Water American promotion label 1973As most fans know, the studio / live edits of Smoke On The Water were issued as a (more or less) contemporary single almost everywhere but Britain. It first appeared in North America in the spring of 1973, and it was the success of the single there (top five in US and Canada) which inspired most other countries to follow suit.
A lot of the success in North America has been put down to it being taken up by radio stations there and heavily played. However 40 plus years on there is little documentary evidence to back this up. Researching for the upcoming Machine Head book, we are hoping fans in the U.S. and Canada (or anywhere else) who might have any knowledge of the song’s presentation on the radio stations there might be able to shed some light on it. Perhaps you have recollections of hearing the song played a lot on certain stations; maybe you worked in a radio station and can shed light on how it was programmed, or know someone who did, and can give us a bit of an insight into Smoke On The Water on U.S radio back in the spring of 1973. Do get in touch.