Sunglasses after dark

July 16, 2018

For those with long memories, The Javelins release their long awaited (almost twenty five years!) follow-up / difficult second album in late August through Ear Music. This is another 16 track romp through the music of the Fifties and early Sixties. Once again it has been overseen by Steve Morris and features Don Airey guesting on piano. The band remain as they were in 1963: Ian Gillan; Gordon Fairminer (Lead Guitar); Tony Tacon (Rhythm Guitar); Tony Whitfield (Bass Guitar); Keith Roach (Drums).
It was cut in Germany at Chameleon Studios in Hamburg during March. CD and vinyl editions are due.
There is an official audio stream of the lead track Do You Live Me on YouTube:

The first album recorded in Liverpool was issued by RPM back in 1994…

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Unveiling

July 9, 2018

Montreux 4th July 2018 – Plaque Unveiling Ceremony at the Former Grand Hotel.

 

Ian Gillan by the plaque

Tim Summers has managed to pen us a few words about the event itself, for more see the two posts below…

With the proceedings due to kick off at 11 am, we hopped off the train at Territet with about 25 minutes to go and strolled across the street to the building itself. We struggled to recognise it at first due to it being covered in scaffolding; one reason for having the plaque located round at the unobstructed rear entrance – actually this made sense as this was where the mobile studio was parked – and it meant that we could hear the speeches (and not get run over!) shielded from the relatively busy road to the front.
As we arrived tables of food and drinks were being set up opposite the rear entrance, and a copy of Machine Head stood on a podium to the side, with a picture of the mobile studio parked there some 40-odd years previously on the wall at the other side. The good folk of Montreux made us feel very welcome, and we chatted with just the occasional craning of the neck to peer down the road to see if there was any sign of any Purple people arriving. Roger had promised to attend together with “whoever else he could drag along”. As 11 am approached, a sleek looking people carrier was sighted at the bottom of the slope; it drove up to the car park barrier and the doors opened – Roger was first out, followed by Ian Gillan and Paicey. They ambled up the road in the style of a royal walkabout, stopping to shake hands and chat with people in the assembled throng (of probably around 100 people).
Once at the top they went inside the foyer (which was open) and we followed them in – it was kind of awe-inspiring to be in such an historically significant building. They were happy to chat, pose for photos and sign anything thrust in front of them, and after a little while we ventured back out into the sunshine for the unveiling. There were speeches, including one from Paicey, who said that this was the first time he’d been back to the building since he finished work on the Machine Head album. He actually explained in terms I could understand the necessity of all that climbing out of windows/across balconies business too.
The plaque is a nice thing – not the sort of blue metal affair I was imagining, but rather a laser-etched glass creation, with a (surprisingly effective) button to back-illuminate it on command. As well as including a contemporary picture of the band from the time of recording the album, the plaque details the significance of the album and building too. I spoke to its Italian creator, and he said that he wanted to make something special for a band as important as Deep Purple.
Montreux itself is quite an amazing place, and it really comes alive for the annual music festival. Later in the day Roger did a sort of Q&A about the significance of it all, the fire and the recording of the album, and we spotted him again later just walking down the street (probably returning from the soundcheck for that night’s gig). Paicey summed up the sort of intertwined nature of the band and place in his closing remarks about the recording of Machine Head here: “Looking back on our career, probably one of the the most important 3 weeks of our lives”. –Tim Summers (thanks to Keith Sharp and Ian Edwards for the photographs).

Below, Keith’s picture of the plaque in situ. The text is a bit clunky but you should have seen it before we re-wrote it! It was supposed to have the album title and name off the sleeve too, not sure where those went…  But a very swish item which does the band proud.

Montreux Plaque 2018

Montreux ceremony

July 6, 2018

Couple of photographs from the July 4th Montreux event, kindly sent by Claude’s friend Jean Paul. Jean worked with Claude during the Machine Head sessions, and is on the right in the photo with Roger.

Glover at Montreux JPM

The photo below is from outside the former hotel foyer, and shows Gillan and Glover busy signing sleeves. Yvon Welt on the right of this photo has been instrumental in helping get the plaque put up, which you can see on the wall behind Ian. From today anyone visiting can at least be sure they are at the right building and the ceremony got lots of coverage in the Swiss press and further afield.  More information to follow!

Gillan and Paice outside foyer JPM

Some of us went down…

July 4, 2018

image001.jpg

As we post this, Montreux is finally marking Deep Purple’s contribution to the town’s history by erecting a plaque on the former Grand Hotel (11.00am July 4th). This will briefly describe the importance of the building to the Machine Head story in French and English.
Unlike the event in 2016 this is a more formal occasion with media, TV, and even the head of Switzerland’s British Embassy on the invite list. Members of the group are also due to appear as they are in town for the show that evening. It marks the culmination of a couple of year’s work begun by Simon and Stephen, and then helped along by Yvon Welt, Jean Paul Marquis and others in Montreux. We hope to have a few photos in a couple of days from our roving correspondents.
From today, anyone visiting the site will be able see the plaque; but only if you go to the back door! I only have early images of the plaque which had several errors (since corrected), so will await an official image before posting. The town is also looking into a six page download guide to all the sites in the town relating to the album to be hosted on their site.
All this has been part of the research undertaken for the Fire In The Sky book which is now into the design stages. However the publication date floating around on the web does not come from the publisher who say Aug / Sept is more likely. They also think there is so much material that they may have to look at a special extended first edition. Details to follow but check their site for the latest updates.

You can read our reports on the 2016 trip to the former hotel on this site.

Down Mexico Way again

June 20, 2018

Deep Purple have added a big tour of Mexico to this year’s schedule, ten dates running through November. It’s quite a relaxed trip in that the dates are spread over twenty days and only two shows are back to back.  The image for the shows with them all in arctic gear seems very inappropriate! Thanks to Lutz Reinert and Bo Olsson for the info. It did seem a lot of shows so I checked out of curiosity. Mexico’s population is twice that of the UK.

November 2018 Mexico flyer.jpg

Einem Meisterwerk

June 15, 2018

Deep-Purple-In-Rock-German-sales

Just to let people know that there will be a German edition of the Deep Purple book Wait For The Ricochet later this year. Published by Hannibal, it will look very similar to the original, with the same illustrations and format.  If anyone is interested, the title can be pre-ordered already from the publisher’s own site.  Hard to believe but the album is 48 years old this very month, and was of course a massive seller in Germany where it topped their album charts for weeks. If you do not have this book yet, the English edition is back in stock through the publisher’s own shop.  And their follow-up devoted to Machine Head and titled Fire In The Sky is now not far away.

The publishers would like to thank Lutz and Andreas for their help in making this German edition possible.

Drawing skills

June 8, 2018

Never Before sing a long lyrics from German magazine Bravo, 1972

The researchers for the upcoming Machine Head book have put a call out for a couple of items in case anyone in DTBland can help…

[1] Has anyone got a good clean scan of the album review from America’s Creem magazine in 1972? It most likely appeared in the May or June issue but might have slipped to Oct or Nov (they have checked other issues).

[2] In a similar search they are trying to source a good clean scan of the single review from the Australian music magazine Go-Set, printed in the Oct 6th 1973 issue. A contact there has kindly sent all the issues from microfilm but this page is too faded to use.

[3] Lastly (for now!) but perhaps most crucial has anyone got sufficient CAD skills to convert Simon’s rough sketch plan (and measurements – imperial!) of the Grand Hotel corridor studio circa 1971 into a presentable diagram? This can be a plan view or perhaps a 3D view like you sometimes see on those TV house alteration programmes. This is a for the love of it task but you would get a nice fat credit in the book.  Simon: “I am afraid I gave away my drawing board many years ago, my Rotring pens are all seized up, and attempts to do this in the Adobe software I use have been awful!”

Москва́

June 4, 2018

The setlist from Moscow last week gives an idea of the current set of dates: Highway star, Bloodsucker, Pictures of Home, Strange Kind of Woman, Sometimes I Feel Like Screaming, Uncommon Man, Lazy, Time for Bedlam, Birds of Prey, Knocking At Your Backdoor, Perfect Strangers, Space Truckin’, Smoke on The Water – Hush, Black Night
Time For Bedlam was dropped at the festival they did in Mexico, probably for time reasons, but otherwise this seems to be the show for the time being. So the new album content has dropped quite a lot, it looks like we caught them at the right time on the UK tour last year! Thanks to Mike Richards and Bo Olsson for the updates. All the upcoming dates are on our diary page.

And so Deep Purple begins

May 15, 2018

Pye_Studios

What did you do at the weekend just gone? Me I walked round to the shops for some bread rolls and a Saturday paper, did a bit of weeding in the garden and gave a talk on pre-War commercial street photography.

atv_house

What did Derek Lawrence do with his weekend just gone fifty years ago? Only produced (with the help of a BBC Sound Effects LP!) the first Deep Purple album Shades Of Deep Purple. Happy 50th Deep Purple!

Yes we know they did some shows before, and a few demos, but to me that trip to the Pye basement studios (at ATV house) near Marble Arch meant it all suddenly got real. How could they cut an album so quickly? Well they’d rehearsed and done most of the material either live or in previous groups, so it was all fairly well bedded in. Plus they were damn good musicians. And they had no more budget!

Derek did a bit more work on the Monday, cut and mastered the first (proposed) single later in the week, EMI got on board, and the rest is, well history. History which continues to prove fascinating for many, and music which has given millions pleasure over those fifty years.

The studio? Pye were there until 1989 in one guise or another, but the Sixties building where so many other great recordings were also made was demolished in 2003.

pyestudios

East Coast Blackmore

May 3, 2018

Blackmore’s Night have announced seven shows around the East Coast of America for July 2018. Each show is a passport to a time gone by according to their press release. Thanks to Tom Dixon for sending this on. Dates added to our diary page.